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Copyright 1980 The University of Chicago
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Yasine ÇETİN EYLEK, Fusun ATASEVEN Yapısalcılık Sonrası Yaklaşımlar Doğrultusunda Çevirmeni “Üretimin Öznesi” Olarak Okumak: Las Meninas Tablosu Odağında Bir İnceleme,Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 40, no.22 (Dec 2023): 487–503.Patricia Zalamea, Martha Vives, Ferney Rodríguez Visual representations of the COVID-19 pandemic and its iconography on a local/global scale: Crossing borders between scientific and non-scientific imagery,Cogent Arts & Humanities 9, no.11 (Apr 2022).Daniel Everett O papel da cultura na língua(gem) e na cognição,Cadernos de Linguística 1, no.11 (Jul 2020): 01–37.Daniel L. Everett The role of culture in language and cognition,Language and Linguistics Compass 12, no.1111 (Nov 2018).Simon Altmann All Done by Mirrors: Symmetries, Quaternions, Spinors, and Clifford Algebras, (May 2014): 101–130.Ann Fox Battles on the Body: Disability, Interpreting Dramatic Literature, and the Case of Lynn Nottage's Ruined,Journal of Literary & Cultural Disability Studies 5, no.11 (Jan 2011): 1–15.Patrick Thomassin Paradoxes de la représentation de soi en peinture et en psychothérapie,Psychothérapies Vol. 29, no.11 (May 2009): 49–55.Ian W. King Engaging with Listening, Silence and Noise: Peering‐into the Analytical/Continental Divide,Culture and Organization 13, no.11 (Mar 2007): 23–35.Yvette Greslé Foucault's Las Meninas and art‐historical methods,Journal of Literary Studies 22, no.3-43-4 (Dec 2006): 211–228.Sira Dambe “Enslaved sovereign”: Aesthetics of power in Foucault, Velázquez and Ovid,Journal of Literary Studies 22, no.3-43-4 (Dec 2006): 229–256.Thomas Basbøll Reflexivity in perspective: A note on Davis and Klaes' reading of Las Meninas,Journal of Economic Methodology 13, no.11 (Mar 2006): 113–119.Peter Pelzer Art for Management’s Sake? A Doubt,Culture and Organization 12, no.11 (Mar 2006): 65–77.Niall W. Slater Passion and Petrifaction: The Gaze in Apuleius,Classical Philology 93, no.11 (Oct 2015): 18–48.Marshall Brown The Classic Is the Baroque: On the Principle of Wölfflin's Art History,Critical Inquiry 9, no.22 (Oct 2015): 379–404.
